Tag Archives: Henri Bortoft

Guest Blog Post for Schumacher College

Below is a guest post that I wrote for the Schumacher College blog. To view the original click here.

‘First Steps to Seeing’ a new book by Emma Kidd

Submitted by mark.wallace on Tue, 23/06/2015 – 16:18

During the MSc in Holistic Science I was led towards, and able to experience, what was no less than a different way of being human. This way of being involved bringing a new quality of attention to the world, and to everything in it. In the first module of the MSc, we learnt to give life, and the life of our senses, our full attention; and were encouraged to notice the ways in which our minds constantly try to organise and define the world we see. By putting both of these techniques into practise I was able to alter my way of being in such a way that everything I rested my gaze upon suddenly seemed to burst to life. And then, with sustained effort and study, over time I realised that – by using practices taught on the MSc, such as Goethean Science and Phenomenology – I was able to see and to wholly understand the life of the world on its own terms, as though it were speaking directly to me.

Discovering, and experiencing, this new way of being for myself completely turned my world upside down. Up until starting the MSc, nobody had ever told me that there was more to seeing than meets the eye! Nor that, with sustained effort and focus, I could learn directly from the world itself, without turning to text-books or expert opinions; and that in doing so I could experience the world as being far more alive, full of meaning and character than is possible through absorbing abstract information, facts and theories alone.

This new way of being, seeing, and knowing – which the MSc in Holistic Science led me towards – has transformed my life to such an extent that I have dedicated the past two years of my life to writing a book about it. ‘First Steps to Seeing: A Path Towards Living Attentively‘ is down-to-earth and practical by nature, aiming to lead the reader directly into experiencing this way of being from the very start. The introduction opens with an exercise in sensory perception, and an invitation to slow down from the hectic pace of everyday life. On the MSc, Henri Bortoft used to say that perception can only begin when we slow down, and slowness is a theme that is carried throughout the book.

Reflecting the nature of myself, the book is very eclectic, in style and in content – partly academic, part personal development work-book, and partly biographical; and chapters are independently dedicated to setting the content in a personal, an interpersonal and a professional context. Therefore, it makes for a rich and interesting read whether you are looking to develop your own way of seeing; to explore the way you relate to other people; or to examine the way you see at work

 First Steps to Seeing is now available to purchase online as a paperback and an e-book.

Advertisement

First Book Review for First Steps to Seeing: by Simon Robinson

This is an excerpt from First Steps to Seeing‘s first ever book review! The review is from my wonderful friend, colleague and fellow aficionado in a dynamic way of seeing, Simon Robinson – editor of Transition Conciousness and co-author of the wonderful new book Holonomics.

Simon has been been supporting and encouraging my philosophical work on exploring and understanding a dynamic way of seeing, almost from the very beginning. So it is with great pleasure that I share with you his reflections on First Steps to Seeing – and with much gratitude that he is the first person to review it. To see the original book review on Transition Consciousness click here.

BOOK REVIEW: FIRST STEPS TO SEEING BY EMMA KIDD

July 6, 2015 · by Simon · in Reviews. ·

If I were only to say that I have been looking forward to reading First Steps to Seeing: A Path to Living Attentively you may not quite realise how much. So I thought I would first start this review by mentioning that I first had the pleasure to meet Emma at Schumacher College in 2009, just after I started my masters degree in Holistic Science and just after Emma had graduated, also in Holistic Science, the year before.

henri-bortoft

Photo credit: Emma Kidd

In fact, I think I may have first heard of Emma I believe before meeting her, since Henri Bortoft, who was giving the first week of lectures on wholeness, did in fact quote from Emma’s dissertation in one of our classes. This is the quote:

A phenomenological inquiry, as conducted with Goethean methodology, is a form of dynamic engagement with the world – dynamical doing by dynamical seeing; it allows you to see the whole within the parts and brings the world to expression.”

In bringing a phenomenon to expression, perceived qualities have to be expressed, but also simultaneously expressed to be perceived; as if the phenomenon is an active subject that reaches out to us. This calls for a hermeneutic understanding of expression as a reciprocal dynamic process, with perception and expression being intrinsically related.

To read the rest of the original post click here – Book review

Workshop by Craig Holdrege: “Thinking Like a Plant”

DSCF1236Workshop with Craig Holdrege at the South Devon Steiner School

“Thinking Like A Plant”

20th September 2014

 On a sunny Saturday in September I joined a group of people gathered in the gardens of the South Devon Steiner school to practice ‘thinking like a plant’. This is a method of studying plants that is a type of phenomenological inquiry and is closely linked to Goethe’s way of Science. Craig Holdrege is a biologist based at The Nature Institute in the US state of New York. This is my summary of the workshop:

Thinking like a plant involves a process of allowing our thinking to become as alive and flexible as nature itself.

 

One aspect of this living form of thinking is cultivating an open ‘receptivity’. Ralph Waldo Emerson referred to this as ‘sauntering’. We do not need a particular focus, other than opening out to the world and watching what catches our attention, without going into great detail. This capacity for receptivity needs to be ‘exercised’, like the practice necessary in learning to play a new musical instrument. In the workshop Craig asked us to ‘saunter’ around the gardens for 10 minutes but he said that an hour would be more appropriate.

 

This practice allows for a slowing down that is almost antithetical in our culture. It develops a presence of mind that notices what comes toward us in life rather than relying on our discerning capacities which lead us to be critical and to judge.

 

There is so much in Nature and in life that we miss, especially when we are overly focused on specifics. Developing the practice of ‘sauntering’ can help us to regain some of what we habitually miss and give us a richer, fuller experience of life.

DSCF1226

The next aspect of the ‘living thinking’ that we were aiming to develop was to focus in on the details of life as exactly as we possibly could. In a circle we described a Hazel leaf, not what we felt or thought about it but what we saw, exactly in front of us. This was to focus us on our exact sense perception. Sauntering leads us out into the world, focusing leads us in. Science today gets lost in the detail but a whole approach to life such as Goethean Science moves back and forth, in and out of detail. Craig stressed that focus is just as important to openness, as if we don’t go into detail then we are not really seeing the world.

 

Through exact sense perception we can take the time to notice and describe details without worrying about understanding them. By doing this the details of relationships also start to emerge, like the contrasting elements that appear when we pay attention to the two very different sides of a leaf. When comparing details insightful ‘aha’ moments emerge as the qualities, expressions and characteristics of the plant begin to reveal themselves.

 

The next aspect of ‘living thinking’ was to deepen our exact sense perception by visualising our experience in our imaginations, Goethe called this Exact Sensorial Imagination. We can re-picture our sense experience of the leaf by remembering exactly how it felt to touch, what its edges looked like, how the veins came out of the stem, the different colours of leaf apparent on both sides, etc etc. We each do this re-picturing process differently. Some people have a type of memory that allows for the ‘whole’ picture to be recreated at once, some people need to work through it and move around it bit by bit.

 

What is profound is that by doing this re-picturing we realise that the plant has left an impression on us. The sensory experience that we can re-create in our imaginations is not fantasy, as long as we stick to what exactly we experienced. This process also shows us what we have missed or not paid attention to. By exercising our exact sensorial imagination we are connecting ourselves and the plant inwardly in a way that we could not achieve otherwise. This builds a mobile plastic inwardness that allows us to perceive the plant more vividly and vibrantly.

DSCF1227

To compare our exact sense perceptions we all passed our leaves around the circle, so that for a short time we could each see and experience everybody’s leaf. If we just take one example of something and base our knowledge upon that it can be very dangerous. It is just one instance, one expression. By comparing and looking at different instances we can notice generalities but we can also notice lots of difference. Henri Bortoft said that this enables us to see parts of life “being themselves differently”. A plant is an activity that brings forth the ‘same’ but always in different ways. The process of a ‘plant’ is a dynamic that brings forth difference. By seeing 20 leaves that were the ‘same’ but ‘different’, as a group we were able to get a sense of quite how dynamic a ‘leaf’ is.

 

We then explored context. We can take something out of its context to focus on it but we must then do our best to reintegrate it back into context. We can look at which bit of the stem the leaf came from, which part of the plant or tree, and what the conditions of its location are, such as sunny or shady, to see how its unique form might be expressing the environment that it is in. By becoming context sensitive we start to see that life is always connected to the context in which it is unfolding.

 

Focusing our attention to life through exact sense perception and opening to it through our imagination and ‘sauntering’, gives us a closeness that we might not have otherwise had. By engaging in a direct relationship with a part of life we naturally start to welcome and feel grateful for its presence.

 

Through practicing a longer study of a tree or a plant we can get a sense of how it is being in the world, not just what is it. This allows us to have a much deeper and richer experience of the world in a way that requires us to be active not passive.

DSCF1225

During the workshop we used drawing exercises to find different ways of experiencing what is there. This allowed us to use drawing as a tool to focus our attention, not to focus on creating a work of art.

 

Craig teaches this method of studying life as a way to get out into the world and out of our head, without losing our heads. He believes that we can grow through the life that we study, to understand more of life.

 

Taking the time and energy to acknowledge the wonders that plants display, and are, to the world can enable us to find a way of knowing that is more appropriate to the plants themselves, rather than just trying to ‘explain’ them through mechanisms.

 

As a teacher, letting people experience and reflect is a good way to engage students in learning. This approach as an educational method is experiential and allows the world to speak for itself, to the student themselves.

DSCF1224

This is a rough description of the “Living Thinking” Tree study that we carried out:

 

  • First impressions –

 

Walk around the tree of your choice and have a first meeting with it. Write down your first impressions of it.

 

  • Exact sense perception – leaf outline – 1

 

Do a ‘negative space’ drawing of a leaf. Instead of drawing an outline, leave the ‘leaf’ white and shade in the edges to re-create the leaf shape.

 

  • Exact sense perception – leaf outline – 2

 

Now draw the leaf outline paying careful attention to what you are exactly seeing, not just drawing your ‘idea’ of the leaf.

 

  • Imagination –

 

Imagine the leaf coming into and out of being. All forms in life come out of movement and by re-tracing that we can come to kind of inner movement.

 

  • Exact sense perception – branch

 

Take a branch and observe from the bottom upwards. Notice the stem, the leaves, the buds, notice how they are joined and related to one and other and how they are arranged.

 

  • Walk around and find different examples of the same tree, notice how the ‘same’ tree is expressing itself differently.

 

  • Repeat all previous exercises with a different type of tree.

 

  • Use Exact Sensorial imagination to bring your sense perceptions to life in your imagination,  either during the observation or at the end of each session or each day.

 

By moving from one tree to another, through the medium of us, the characteristics of different types of trees can be illuminated. For instance, your experience of ‘Oak’ will inform your experience of ‘Birch’.

Green Spirit Article – Spring 2014

DSCF9059

Here is the article that I wrote for Greenspirit magazine. It is “The Art of Seeing and the Evolution of Being” and discusses the missed dimension of cognition in perception. Basically, how we think affects how we understand the world around us, but in ways that we are often not aware of in our everyday lives. This ‘missed dimension’ often remains invisible until attention is brought to it, yet it can drastically affect how we understand, relate to and behave in the world around us.

Click here to read the article. GreenSpirit-Kidd[1]

I would like to send many thanks to Tilley and Mirella for being such wonderful, supportive editors.

Workshop @ Schumacher College – 22nd March: “Learning to Sense Life in our everyday lives”

Sensing Life – Wellbeing Workshops

 “Learning to Sense Life in our everyday lives”

Craft Ed.Building, SchumacherCollege, Dartington

Saturday 22nd March 10am-1.30pm £15 (£10 conc.)

Email to book: emmakidd81@gmail.com SONY DSC

How can our sensory focus and attention improve our wellbeing everyday? In offices? In homes? In classrooms?

Aesthetic (sense) experience is when:

– Our senses are operating at their peak

– We are present in the current moment

– We are resonating with the excitement of the thing we are experiencing

We are fully alive!

Educator, writer and researcher Emma Kidd will explore practical ways in which we can improve our wellbeing by becoming more open and alive to the world around us. This will be the first in a series workshops made up of practical indoor and outdoor exercises from her new book: “First Steps to Sensing Life: Practicing a Dynamic Way of Seeing in Everyday Living”.

http://www.sensinglife.net

Part 1 – The Democratisation of Knowledge

Part 1 – The Democratisation of Knowledge:

Collectively Enlivening what and how we know

 

I had the pleasure to teach a morning session at The ASHA Centre in Gloucestershire last week, as part of a 5 day residential on “Youth in Action for Sustainable Development”. My brief was to introduce the participants to alternative way of knowing the world through using the example of Goethe’s Scientific inquiries. However, as I am re-discovering again and again in my practice of Phenomenology, if we just look at what Goethe did in his scientific explorations of the natural world, such as studies on colour, light, and plants, we are very much missing the dynamic that sets his work so far apart from mechanistic investigations of the same phenomena. What is truly important in his work is not what he did, but how he did it. His studies are the finished product of a certain way of seeing and being with the world that he managed to cultivate within himself and call forth during his investigation – it was a dynamic way of seeing.

Goethe Colour wheel

 I am aware that speaking of ‘ways of seeing’ can seem rather abstract to the listener, so I combined some perceptual exercises with the ideas from Iain McGilchrist’s work on the bi-modal brain, as a framework for interpretation. Through a drawing exercise and some visual exercises I tried to lead the group into a direct living experience of shifts in their cognition and perception. So, together we were able to experience how we respond differently to things in life that we ‘think’ we know, and those that we are knowing for the first time. We were also able to experience how difficult it can be to move beyond the idea of what we ‘think’ we know, and that this can very much get in the way of us being able to presently engage with what is directly in front of us, in its uniqueness and particularity, without constriction or reduction.

magritte-bird

 We did this by using the Face/Vase drawing exercise that I was introduced to at Art School 14 years ago. The exercise came from the book “Drawing on the Right Hand Side of the Brain” by Betty Edwards. I first asked the students to draw a side profile of a face, using a quick, simple line drawing. Whilst drawing this, I asked the participants to carefully pay attention there experience whilst drawing.

face vase first side

Together we experienced how smoothly, and relatively quickly we could manage this. We all ‘knew’ what a face looked like, so it was a quick and easy task. The lines that were used to draw were mostly smooth, bold, solid and certain. Next, we drew two parallel lines at the top and bottom of the ‘face’ profile, and drew a mirror image of the face at the end of the parallel lines.

face_vase

Photo credit: www.todayicreated.com

The experience of the second drawing task felt to us all very different in comparison to the first. The quality of the lines used also looked quite different. As an experience, it was a much more tentative, delicate journey, and we really felt the shift in attention and processing that was required to do it. We realised together that you have to be much more present to newness and uniqueness that is immediately before you. You can no longer copy an idea of something that you already ‘know’, you must instead relate to what is directly in front of you. You must also attend to its context, carefully comparing spatial proportions, as well as the particularities of, and relationships between the space and shapes. The overall of the second face felt quite of the opposite of the first – and I feel it is a great way of concretely exploring the experience of how we attend to the world in two very different ways, depending on whether we already think we know it, or not.

The master and his emissary

 In terms of the work of Iain McGilchrist, you could say that this is a demonstration of how we experience the world using the two different brain hemispheres. The sure, certain, quick, smooth experience being the left hemisphere, and the more present, delicate, context focused, tentative approach being the right hemisphere.

To further explore our lived experience of cognition and perception I showed the picture of the Giraffe to the group, which was created by Henri Bortoft’s wife Jackie to illustrate Henri’s concept of the ‘organising idea’.

giraffe henri

I used this picture to illustrate what McGilchrist calls the ‘sticky’ nature of the left-hemisphere, and the difficulties it presents us with moving beyond the organising idea of something, our mind’s re-presentation of it, and further upstream to the presencing of what is directly in front of us, in its uniqueness. Once you have seen the Giraffe it is almost, if not completely, impossible not to see it! We found as a group that ourselves, as the inquirer, had to dramatically alter our perspective when looking at the picture if we were to see it as anything other than the Giraffe; either by turning the picture sideways, or by going much closer up to it. Only then could we focus on the particular details and relationships that made up the whole picture, beyond what our minds kept trying to organise it into.

duckrabbitold lady young optical illusion

 We also looked at some well-known pictures of what are commonly known as ‘optical illusions’ – the Duck/Rabbit, and the Young/Old lady. The term ‘illusion’ is only really relevant, and presents a paradox, to our rational mind however, as to our experience there is no ‘illusion’ as we see both, just not at the same time. Together we experienced just this, it was never possible to see both organising ideas at once. We observed a kind of ‘flicking’ sensation in our experience, as our perception quickly switched from one image/idea to the other. For me, this is a great experience of how stuck we can become in our knowing and perceiving the world, as one way of seeing something can literally block out the potential for it to be appear in any other way.

And so, you, and the students, may have been wondering how this is all related to Goethe’s scientific inquiries? Well, for Goethe to have produced such comprehensive, relational, dynamic accounts of the life, livingness and process of the things he studied, he must have been able to go beyond what he already thought he knew about things, beyond his organising ideas, to see them relationally, delicately, in context – so that he could attend, in the present moment, to what was directly observable in his lived experience. He offered the thing he was studying his ‘cognitive space’ so to speak, becoming a vessel for receiving the exactness of a thing, rather than projecting his own ideas onto it, and then using instruments and apparatus to prove them. He would have had to allow the thing the space to become other, to be in process, dynamic and in flow, to be a be-ing not just a has been. Goethe managed to cultivate a dynamic way of seeing, beyond the limitations of his rational mind. The result was a series of scientific investigations, rigorous studies of natural phenomena, but carried out with the converse yet complementary capacities of a Poet’s artistic mind.

 

A Handbook for “How to Be Human”

SONY DSC

I was sitting at breakfast this morning and we were musing about the wonders, trials and tribulations of our fascinatingly bizarre human mind. Some of the students had just been meditating before breakfast and so we were discussing the processes that some of us experience whilst trying to meditate, or to still our minds. One such musing was how funny, or slightly annoying, it is when you think you’ve finally managed to still your mind, and halt the torrential river of thoughts, when all of a sudden a little voice pops up and praises you for doing such a good job! Or once you feel like you are finally ‘in the zone’ your mind starts a lively running commentary noting the fact that you’ve actually managed to start meditating –when in fact, it is the commentary itself which halts that wonderful flow of meditation that was actually happening before it butted in. This left us all feeling rather bemused and that is when the idea arose of a handbook on ‘How to be Human’.

Why is it that, maybe not at birth, but perhaps on our 16th birthday or suchlike, we are not given a handbook on how to be human? A kind of guidebook, like a Lonely Planet guide, that follows the evolving experience of the many billions of humans that have lived before us, on what it means to them to experience being human. How they feel their minds and bodies work – maybe with some hints and tips that they have accumulated over the years?

I don’t mean the type of book that is filled with information that has been abstracted, and separated from life, by experts. Nor do I mean some high-brow, impenetrable, academic philosophy; or for that matter some overly poetic prose from a creative genius. What I think we were heading more towards, as we reflected on our bemusement of ‘being human’ around the breakfast table, was something a lot more grounded, down to earth – like a guide or manual, maybe a map to the territory of our potential to be and to become human.

When we go upstream, and understand all individual humans as an interconnected expression of the possibility ‘to be and to become’ human, as diversity in unity – there must surely be some patterns of experience that emerge between us, that would be quite useful to know about, at whatever age. As I reflect on our group of 20 and 30 something’s sitting around a table pondering the experience of our thought processing minds, and our sometimes uncontrollable bodies who prefer to sleep than to meditate, I wonder how many millions of humans who have come before us have had similar such reflections? Reflections that maybe repeat in a pattern, and come together to form a consensus – such that we could possibly derive a practical wisdom from them.

A practical wisdom of lived experience, such as an understanding that many others have experienced X about Y, and have found that doing Z alters ones experience a little, or that doing A completely alters the playing field. Just like the millions of young people who pick up a Lonely Planet guide before adventuring off around the world, wouldn’t it be nice if we could have evolving editions of a ‘Being Human Guide’ to offer us a little prior experience from those who have already lived their adventures? A map maybe, with a few handy hits, some recommendations, some ‘must see’s’ and ‘must do’s’ for our body, soul, heart and mind. Not a prescription or guilt laden ‘should do’, no remonstrating rules or regulations, no dogma or fundamentalism of a scientific or religious nature – just the patterns, the emerging consensus, manifesting from the thoughts and experiences of everyday human beings, themselves just trying to be and to become human. I would, and I guess the rest of our breakfast table, would most definitely want to buy one!

 

The Art of Seeing – An Evolution of Being

DSCF9059

“And yet, I know artists whose medium is Life itself, and who express the inexpressible without brush, pencil, chisel or guitar. They neither paint nor dance. Their medium is Being. Whatever their hand touches has increased life. They SEE and don’t have to draw. They are the artists of being alive.”The Zen of Seeing, by Frederick Frank

There is more to seeing than meets the eye, and there is more to being than just living. What I have discovered through my journey of practicing phenomenology and a dynamic way of seeing, is that when we explore beyond our habitual ways of seeing and being, and start to re-engage with our direct living experience of the world, we can begin to understand how we and the world are both more alive, more dynamic, and profoundly more meaning-full than we could have ever previously imagined, and thus can begin to participate in the dance of life accordingly. However, as I try to reveal to my students when doing  phenomenological studies of Nature, is that seeing and knowing life in terms of itself, requires a refinement in our capacities to see and to know life, which I believe involves a fundamental evolution in being human. I will endeavor to describe this evolution for you below.

 

Possibly the greatest learning that has been revealed to me over the past 5 years of my young life (I am now 32), is that there is more to seeing than meets the eye, as what lies further upstream from ‘what’ we see in the world, is the cognitive process of ‘how’ we see the world. For me, and I think for humanity in general, this is huge. This means that there is also more to knowing than what we think we know about something, and these both then obviously have an effect on how we are be-ing in the world. This ‘missed dimension of cognition in perception’, or how we see, has been explored extensively in my former teacher’s study of a dynamic way of seeing, Henri Bortoft, in “Taking Appearance Seriously”. As well as in Iain McGilchrist’s masterpiece exploring the left and right hemispheres of the brain, “The Master and his Emissary”. Both of which have been pivotal in my work of practicing a phenomenology of perception, and of getting to know life in terms of itself, and I would like to explore this ‘missed dimension’ with you first.

 

One way of seeing that is available to us, and according to McGilchrist is associated with the left-hemisphere of the brain, re-presents the world for us into organising ideas, concepts, symbols and abstractions, creating universal distinctions and separation between things. This allows us to analyze and create maps of our experience of the world, very useful for our physical and intellectual navigation and communication of it. It focuses quite specifically on content and solid physicality, and occurs in all mammals. Think of a bird surveying a detailed patch of ground for a worm, it does this with it’s right eye, which coordinates to it’s left brain hemisphere. At the same time it needs to survey the territory, the living context, for predators, and it does this with its left eye/right brain. Bortoft describes this content specific, left hemisphere way of seeing as following the logic of solid bodies; it can name, label, analyze, quantify and focus on the separation every thing that is physically ‘there’ before us. It creates a generalized picture of our experience of the thing, which Bortoft calls the organising idea. We can then conveniently use the ‘idea’ of the thing when we need to refer to, or look for something at speed and to communicate to others that we know something about this thing in the world. It can enable us to bridge the chasm between my physical experience of the world and yours, both of which we will never experience directly for ourselves, but with generalized symbols, names and labels, we can communicate in a way that tries to reach a shared understanding, enough at least for us to physically get by together in the world. I call this way of seeing in-organic, as it’s qualities are static, fixed and absolute, it contains no life.

 

However, before the in-organic generalizations that this one way of knowing, the left-hemisphere of the brain, conveniently organizes for us; there is our experience of the dynamic, living world, the territory as it is, appearing in terms of itself – organically, in its living-ness. This is the world that appears to us when we employ our other way of knowing, using the right-hemisphere of the brain, which has the effect of presencing the world we experience, on its own terms. This organic, dynamic way of seeing allows the phenomenon you wish to understand to be a being,  and allows you to engage with it as a becoming; dynamic, alive and continually in process. This type of encounter is participatory rather than controlling; in relation with rather than separate from; enlivening rather than constricting; and allows the implicit essence, or meaning, to emerge rather than being blinded by only what is explicit, its physicality. As this way of seeing occurs prior to the separating, organizing mode of the left-hemisphere, the right-hemisphere is concerned with context and ambiguity. It focuses on the unique and the particular instances of what you are seeing, and the relationships to all that surround them.

 

McGilchrist suggests that we have evolved into a pattern of cognition which allows the left-hemisphere to dominate our everyday experiences of life. And so due to it’s inorganic nature, we are then left with an inability to recognize life in its livingness, and in instead separate it from its living context and reduce it to the physical sum of its parts. This has been very clearly manifested in the human systems that we have created from the scientific revolution onwards; industrialization, capitalism, national centralizations of resources and power. I think that we are all experiencing the limitations that this in-organic way of seeing inherently contains, whether it be through the credit-crisis, being witness to climate chaos, frustration at continued privatization of national services, youth unemployment or the mechanistic nature of a healthcare system focused solely on pharmaceuticals and quick ‘mechanical’ fixes.

 

I do not want to raise one way of seeing above another. Our capacity of re-presenting the world is just as integral to our ability to thrive, as our capacity of presencing the world is, but what we do need to recognize collectively is that an evolutionary over-emphasis on the left-hemisphere has led us into a hall of mirrors that is literally squeezing the life out of us. Next we need to realize that we can escape it, and we can do it without losing all of the wonders that this over-emphasis on the in-organic nature of knowing has allowed to come into being, such as the technology for the internet, and the engineering of mass-transportation; without losing focus on the importance of the individual, or forgetting the living context of the Earth from which all life springs, including the individual. It just means waking up to limitations of our dominant way of seeing, and mode of cognition, and making a practical effort to readdress the balance, such as I try to do in my workshops. The path to evolving our way of seeing and being does not mean that we revert back to a pool of gooey oneness where there is no distinction between the one and the many, but neither is the current way of seeing ourselves and the world numerically as many ‘ones’, all separate from and independent of one another and their surroundings, leading us anywhere apart from a fast-track to mass-extinction.

 

I feel the evolutionary dance move that we now need to aim for is, in the words of my wonderful teacher Brain Goodwin, one of “Maximum freedom to the parts, maximum coherence to the whole.” A way of seeing and of being that gives equal attention to content and context, to the implicit and explicit, to individual expression and collective cohesion. It calls for what Bortoft has described as a ‘dynamic way of seeing’, and I believe that it re-addresses the balance between our use of the left and the right hemisphere. Rather than L, L, L,….ad infinitum which, generally speaking, is where we are collectively right now. Without a doubt it is certainly where we are in mainstream education and in politics. McGilchrist suggests that we need a movement towards a cognitive pattern of R,L,R. Context, content, context. This way of seeing meets the world in terms of itself, allows the appearance of generalized pattern to occur, but then has the ability to let them go, and return to a stance of open receptivity, to meet the thing we think we know again and again with fresh new eyes. Or as in the words of the 20th century phenomenologist Maurice Merleau-Ponty, when we learn to let go and meet the world in its living context we return, “To stand in wonder before it.”. In this way we allow life not only to be, but to become, and in this process we are ourselves are becomed by life, we allow life to live within and without us. The gesture of this way of seeing, and way of being, is actively welcoming and receptive, and its essential nature is openness. We refine and expand our capacity to become more fully human by becoming receptive and welcoming – and it is an actively receptive stance that is a step beyond imposed activity or mere passivity. The nature of this way of seeing is openness; it is welcoming and allows things to be exactly as they are, with no need to fix or to change them. To me, this actively receptive openness feels like it stems just as much from my heart as it does from my mind. It require us to see with fresh new eyes and to proceed with child-like wonder, as if meeting something for the first time, every time we meet it. In this way we are open to perpetually allow the phenomenon we perceive to become more than just the sum of our past experience of it, and more than just the inorganic abstractions of the left-hemisphere will allow us. And as a nod to the financial systems currently in crisis, this way of seeing and being focuses and invests not in accumulated credit based on an inorganic abstraction, but in life, the dynamics of an organic being and its living potential to become.

 Emma Kidd , MSc SchumacherCollege – Practitioner and practical researcher of Phenomenology, editor of http://www.sensinglife.net and co-founder of the independent think-tank http://www.hologramcollective.com

 

 

 

Seeing with New Eyes – An Adventure in Perception

DSC05331

Photo credit: J. van As

“Look deep into nature and then you will understand everything better” – Einstein

Seeing with New Eyes – An Adventure in Perception

Between February and April this year, I led a series of workshops at Schumacher College in Devon which I called ‘Seeing with New Eyes – An Adventure in Perception’. The workshops were designed to allow students to experience the practice of a phenomenology of Nature – which can also be called Goethean Science – without an overload of theory, just learning through participation.

These workshops took the form of an experiential nature study and walk – observing yew trees on the Dartington estate – guiding people gently and playfully towards a more sensuous and intuitive way of perceiving and experiencing life. 

I worked with a variety of different groups of people including; a group of MSc Economics in Transition students, MSc Holistic Science students, short-course participants, Transition Town Totnes and the ‘Holistic Science Now’ short course group. The aim for me in these workshops was to facilitate an experience of getting to know the world in terms of itself, without getting caught up in explanations and abstract ‘knowledge’ of Phenomenology, instead just allowing the participants to practice it and to gain an embodied understanding from the outset.

I chose the Yew tree as our phenomenon of study because I knew of three very different size and shape trees within walking distance of the college. A very straightforward aim for the workshop was helping the participants to see how unique and particular each manifestation in Nature is, and using comparison in phenomenology works excellently for that, as they get to see the ‘same’ phenomenon becoming itself in very different ways, in different instances.

The workshop is an adventure and an experiment in perception and also in humanity. The participants are first invited to consider the question ‘how do we meet the world?’ and ‘how do we get to ‘know’ the world?’, while I describe a little of the thoughts and processes that brought these workshops into being.

SONY DSC

Information v.s experience and ‘About’ thinking v.s. ‘withness’ thinking

The nature of our analytical/Intellectual mind (left hemisphere) expresses itself through separating things into parts, fixes into certainties, and reduces to commonalities. It puts separate parts together and tries to make them belong. This can be very useful but the danger is that it can lead to static, ‘dead’ knowledge, mechanism and reductionism. We end up with information and use it to know things about other things.

The nature of our sensuous/intuitive mind (right hemisphere) sees relations, wholeness and relationships. It is present to the natural unity emerging organically and dynamically from multiplicity. It presences the world, before the left hemisphere has had the chance to re-present it, and expresses itself by embracing diversity, dynamic and living knowing. It gets to know the world through direct experience primary to the abstractions of the analytical mind and enables us to think with things, not just to think about them.

Iain Mc Gilchrist, author of “The Master and his Emmisary”, urges us not to slip into cognitive reductionism, as every function is mediated through both ways of seeing (hemispheres),  but there is neverless a strong cognitive distinction that affects how we perceive the world. The left hemisphere re-presents the world, the right presences it.

The approach of this particular workshop is phenomenological and hermeneutic, and so focuses on process and relationship, which in turn allows for intuitive perception through direct sense experience – and apart from a brief introduction to set the scene, it is always centred on practice, not on theory.

In this way of working, as noted by Henri Bortoft in “Taking Appearance Seriously”, by returning to the senses through active seeing and exact sensorial imagination, we bring about a shift from the left-hemisphere dominance of the verbal-intellectual mind, to the right hemisphere experience of the wholeness of what is livingly present, which is characteristic of the sensuous-intuitive mind.  

 “According to Empiricists see-ing the world is purely a sensory experience.” (Henri Bortoft). However, the answer is contrary to that – it is the way of seeing which ‘sees’ a leaf, tree, giraffe. The way of seeing and what is seen cannot be separated.

SONY DSC

There is more to seeing than meets the eye. Cognitive perception gets confused with just being sense perception. “We live in a dimension of mind which is, for the most part, as invisible to us as the air we breath” (Bortoft). Ordinarily our way of seeing is invisible, Husserl called it “everyday naïveté” – but we can make visible the activity of the mind to itself.

 Disenchantment with the world emerges when we miss the active, dynamic, receptive dimension of cognitive perception and ‘see’ ideas onto everything as fixed, static, finished products, rather than letting something be seen in terms of itself. When we engage with the world in a dynamic way of seeing, getting to know the world in terms of itself, be can begin to understand the uniqueness, creativity and dynamism inherent to life. 

An Adventure in Perception = An Adventure in Humanity

Integrating ways of knowing = Becoming fully human

 Getting to know the world in terms of itself, involves engaging in conversation that brings forth our fullest human capacity to be in relationship with another living being, both human and non-human. Engaging from your heart space, not just your head space, and your right hemisphere, not just your left hemisphere.

During the workshop we work to let go of habitual ideas, assumptions and generalizations. Organizing ideas such as ‘tree’, ‘chair’, ‘leaf’, are useful in everyday life, but they can be limiting in a deeper search for living knowledge.

To begin to more fully understand Nature, and life, we  must develop the capacity to encounter what is active and living.

SONY DSC

Photo credit: Tim Strasser

Goethean Science/Phenomenology of Nature

The practice of phenomenology asks us to become increasingly aware of how we meet the world and cultivate our relationships with it; to become more whole, authentic and human in our communication and conversation with the world.

Conversing with the natural world is more challenging as it does not share our language of spoken word, so we need to develop other capacities for knowing/engaging with it in different ways such as intuition, direct sense perception and imagination. Although, these skills and processes are just as useful and valuable when applied in human encounters.

A phenomenological ‘conversation’ is a mutual interaction and participation – a two way process. Through it we discover the ‘limitless’ nature of connections and relationships and also our potential to grow and adapt ourselves to new, alive ways of knowing, more adequate for the study of Life.

During the workshops, and any further practice, you are treading a path of conscious development. 

Entering into a conversation, a riddle. Ponder, observe, ask questions. Being careful that it does not dissolve into chit-chat, nor become too narrow or rigid in focus.

The encounters embody openendedness, openness, and an active receptivity. Expect to discover newness. Listen to what is revealing itself to you, with fresh new ears and eyes. It is a two way conversation, don’t be afraid to respond and interject with new questions. Goethe called this process a ‘Delicate empiricism’.

I took the participants to work with three Yew trees that we observed, described, imagined and intuited. Each was a different size, shape, age and in a different location.

שקופית3

Even when walking I encourage you to see everything as if it is new to you, even the feeling of walking on the ground.

Maintain the space within you for adventure and experiment. Cultivate a child-like wonder, see everything with fresh new eyes, as if for the first time. Be curious, open and gently expectant.

Be aware and focused on all that you perceive.

Be open – mind and heart. With a deep with of ‘getting to know’, like befriending.

SONY DSC

Photo credit: Tim Strasser

 Getting to know the Yew

With each tree we visited we followed this series of exercises:

Exact sense perception

Observe up close, in detail. Form, touch, qualities, pattern, particularities, colour texture – but no association or judgment.

Describe as a group – qualities, time, process, aliveness/livingness. (How do you know it’s alive?)

 Exact sensorial imagination

Imagine, replay your exact sense perception like playing a video of it in your mind.

 Imagine growth and decay, coming into and going out of being. Backwards and forwards.

Observe from a distance

Look for gestures, intuit patterns. Sketch the gesture as you intuit it.

Repeat atleast three times with different trees, and after the second tree, compare and contrast the different trees.

In summary…. 

This workshop is taste of how we can learn how to encounter what is active and living in the world, rather than just relying on the simplified generalities of our everyday naïveté; or the abstractions of our intellectual mind to show us only separation, and what is ‘finished’.

I graduated with an MSc in Holistic Science from SchumacherCollege in 2009 and have since continued refining my skills and cultivating integrated modes of knowing. I am passionate about sharing my insights into new ways of seeing and relating to the world from an organic, relational and dynamic perspective. I believe that the shift in perception that these workshops aim for fosters a sense of wonder and an inner transformation which supports the transition that our world is desperately in need of.

If you would like more information or to book a session with me, please email me: emmakidd81@gmail.com

 

Taking Appearance Seriously

 9780863159275

I have just finished reading Henri Bortoft’s latest, and unfortunately, last ever book, “Taking Appearance Seriously”, and when I got to the last chapter, I forgot that he had even included part of my work, until I found myself literally on… top of it, in the final paragraph of the final chapter, following a comparison with the work of Wittgenstein! Oh my goodness…I feel blessed, and very, very grateful. There’s a kick up the backside for my confidence, and a right hook for my self doubting mind if ever I needed it! Thank you Henri, so very much….